Sergipe Art Training and Culture Space, São Paulo Brazil 

Last full moon we went to Espaço Sergipe in São Paulo Brazil. It’s a beautiful space created by Cassiano, an old friend that I had the joy to reconnect recently. He likes to call himself the space’s caretaker – he wants to care for the space and for artists in the current difficult moment for the arts in the world.

I was glad that the invitation coincided with a full moon day. I have been thinking to invite people to make dolls on full moon because every single doll is a full moon.  

Solange, Gisela e Cassiano came to make dolls. We made five in total. 

‘The heart beats and activates life. My little doll is strong and whole, even with atypical scar. It doesn’t matter, he goes…’ 

‘Each experience is unique. This is my fourth time participating in the project. I noticed that this time it was much easier to put the heart into the doll. May our dreams continue to beat.’

‘Everything that happens around making the doll. Conversations, food, get together, silences of people focused on an activity. Make things with your hands. Memories of family, of women who sewed, of the father doctor who took the pulse. Meditation, a moment of peace, silence, connection with your heart, with hearts. Thank you Regina. It’s good to reunite with you.’ 

I thank so much Cassiano for the invitation and the makers who joined us for our first workshop in the space. We really enjoyed the experience and we hope to come back soon. 

Pics and comments at UNIFESP, São Paulo Brazil

‘As soon as the experience began, I thought about how beautiful it is to have a body filled with dreams; a body entirely made of dreams! I chose the softest dreams to fill my feet so that my heavy feet on the ground wouldn’t hinder my dreams’ ability to fly. I chose the hardest dreams to fill my head because this more solid form made them more real and achievable. I thought about my dreams and those of everyone around me. It was beautiful to think like that. I sewed for the first time so that my dreams wouldn’t leak out of my body, and it was also beautiful to think like that. I missed my bus for a beautiful reason. I loved it!’

‘I loved the experience of making the dolls and materializing the beauty of hidden things, dreaming together is always more fun and challenging.’

‘Making the dolls was a unique, fun and special experience. We were able to exchange ideas and play with the ambiguities of dreams and the word ‘dream’ itself. At the end, we shared a moment of immersion through meditation, which made everything more intense and sensorial. I feel like part of me stays with the doll. I hope it goes far in the world and carries a bit of my essence.’

“Yesterday I had this dream

I dreamt of you

I don’t know if I was dreaming my dream

Or if the dream I dreamt was yours.”

(A Dream – Nação Zumbi)

’It was inspiring to participate in the event and break out of the routine and think less. Sewing is a very special activity for me, and knowing that my hands can form a little doll with many dreams is unique. I found myself thinking more about my dreams and the importance of keeping them inside me, cultivated and preserved. And also remembering one of my favorite songs.’

‘Being able to choose and place each thread of cotton into the doll created almost like a lightning bolt, a connection. I’m not a Christian, but I kept wondering if God had dreamed of his creation this way. Could it be that in his absolute perfection, in his solitude, he wanted to hold us and smile at the corner of his mouth as he wondered if he wasn’t too old to play with dolls?’ “Let us make man in our image…and God saw everything that he had made, and behold, it was very good.”

‘Making dolls and bringing them to life was an experience of patience and concentration, but also a reflection on the art of manual work. The most satisfying part was making something from start to finish and leaving our mark at each stage.’

“American Heart

I woke up from a strange dream”

(São Vicente – Milton Nascimento)

UNIFESP Federal University of São Paulo, Brazil

We were invited to run a workshop at UNIFESP – Federal University of São Paulo Brazil last June. We felt honoured and excited to work with the students, mainly students of Languages.

Isabella, Yan, Leandro, Luana, Rafaela, Helena, Mariana e Ana came to the session and we made 9 dolls.

We also looked at Dreams and a Heart picture book and talked a little bit about the book’s creative process.

I am super grateful to Ana Claudia who carefully organised the event, to Simone who opened her class for the project, to Beatriz for the flyer, to Unifesp for the space and to the makers for their openness and creative joy – we had such a lovely time together, thank you!

503 Studio, London UK

Yesterday we met at 503 Studio to work on ‘Do we need to talk about the future of Executive Directors?’ 

Joanna joined us to make a doll, we made five in total. 

One of the dolls was confused about their identity – am I an artistic or a creative director? We joined a session where people tried to help them clarify it, they felt happy and less confused. 

‘Thank you for a lovely session to pause, reflect and make something beautiful. I found the experience and conversation to be very supportive and generous. Thank you! ‘ 

Thank You Joanna! I am also grateful for the inspiring sessions, for Ellie delivering her first ever introduction and holding the space alongside Varshini. We had a great opportunity to be together and have important conversations, thank you! 

Battersea Arts Centre, London UK

This week we went to Battersea Arts Centre to work on ‘What does migrant solidarity look like now and for our future’. 

Fiona and Olivia came to make dolls. We made three in total. We were happy to remember that migrants don’t ‘think with accent’. Would be great if we can always keep it in mind. Looking at the dolls standing in the middle of the room we also remember we can’t stand up alone, it’s simply not possible. 

‘I really enjoyed being immersed in the story of the project, and it felt very honest and simple yet very moving and beautiful! It was also great to make something with my hands and break away from the heaviness of the day.’

‘I found my experience making the doll to be very therapeutic and relaxing. Filling the doll with dreams and making sure it is very strong felt like a reflection of life and putting the heart in at the end gave a sense of completeness to the doll. I really enjoyed the meditation at the end whilst holding the doll, it was a spiritual experience that connected the physical with the non physical aspect of life which was so powerful and positive.’ 

I’m grateful for the makers and the entire group for giving their time to work on an essential question in such difficult times, thank you!

300 dolls installed in the Full Moon at Shoreditch Town Hall in London UK

Last weekend at Shoreditch Town Hall in London we installed 300 dolls.

That’s the amount of dolls we made from 2014 to 2024 at big D&Ds events.

We know each doll represents us. However, at the same time, each one of them is a full moon.

Godmother organised the poster’s photos in a beautiful wheel that reminds us a full moon. I’m pretty sure she did it intuitively.

We were celebrating D&D20.

In 20 years there are approximately 248 full moons.

The difference between 300 and 248 is 52 full moons.

52 full moons are approximately 4 years and a half.

I am glad our installation also shows hope for future D&D events.

That’s wonderful!